Enneagram Type Six Music - Indigo Girls and Bruce Springsteen

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The Enneagram's type Six is the Loyalist, the Devil's Advocate, the Doubter, the Questioner. In the world of music, Sixes usually play within established traditions. They'll come off as regular people, with an egalitarian approach to their musical partners and audiences. They'll often be active and visible fighting for underdog causes.

Sixes are on a lifelong quest for security and support. They don't trust their own inner guidance, so they sound out opinions from friends, teachers, books, systems of belief, precedents, traditions, communities and institutions, looking for the certainty they don't feel. They don't always take the advice they get - they might do the exact opposite of it, but in doing so they're still orbiting in relation to an authority.

 

This search for clarity is at the core of the Indigo Girls' song Closer to Fine. In its opening lines there's a request for insight between black and white. In one verse songwriter Emily Saliers relates how she distrusted a university professor, but completed her degree nonetheless (academia, as Riso/Hudson describe, is the domain of Sixes - there's safety in a system - you might rebel against it, but at least you know where you are). The chorus tells of going to diverse sources - an authority figure, nature, children, the physical senses, and eventually coming to the all-important realization for Sixes that "the less I seek my source for some definitive, the closer I am to fine."

 

             

I'm trying to tell you something about my life

Maybe give me insight between black and white

The best thing you've ever done for me

Is to help me take my life less seriously, it's only life after all

Well darkness has a hunger that's insatiable

And lightness has a call that's hard to hear

I wrap my fear around me like a blanket

I sailed my ship of safety till I sank it, I'm crawling on your shore.

 

Indigo girlsI went to the doctor, I went to the mountains

I looked to the children, I drank from the fountain

There's more than one answer to these questions

pointing me in crooked line

The less I seek my source for some definitive

The closer I am to fine.

 

I went to see the doctor of philosophy

With a poster of Rasputin and a beard down to his knee

He never did marry or see a B-grade movie

He graded my performance, he said he could see through me

I spent four years prostrate to the higher mind, got my paper

And I was free.

 

I stopped by the bar at 3 a.m.

To seek solace in a bottle or possibly a friend

I woke up with a headache like my head against a board

Twice as cloudy as I'd been the night before

I went in seeking clarity.

 

We go to the bible, we go through the workout

We read up on revival and we stand up for the lookout

There's more than one answer to these questions

pointing me in a crooked line

The less I seek my source for some definitive

The closer I am to fine

 

Sixes often identify with a place, a religion, a political philosophy - something bigger than themselves. Bruce Springsteen, having risen to iconic heights in rock and roll, has always presented himself as a working class guy from New Jersey. He dresses like one, and has the haircut of a normal guy (compared to say, David Bowie, Elton John, Mick Jagger, Prince, Bono or any other rock star of that calibre). He's played with the same band for close to forty years, and writes arrangements that make it clear that even though he's The Boss, each of them is essential, they're not just his back-up.

 

In Born in the USA, he tells the story of a working class man, according to Springsteen, "in a spiritual crisis, in which man is left lost… it's like he has nothing left to tie him into society anymore. He's isolated from the government, isolated from his family, to the point where nothing makes sense." In this solo acoustic demo the anguish comes through in a way the popular version with full band doesn't.

 

          

 

Born down in a dead man's town

The first kick I took was when I hit the ground

You end up like a dog that's been beat too much

Till you spend half your life just covering up

 

I got in a little hometown jam

And so they put a rifle in my hands

Bruce SpringsteenSent me off to Vietnam

To go and kill the yellow man

 

Come back home to the refinery

Hiring man says "Son if it was up to me..."

I go down to see the V.A. man

He said "Son, don't you understand..."

 

I had a buddy at Khe Sahn

Fighting off the Viet Cong

They're still there, he's all gone

He had a little girl in Saigon

I got a picture of him in her arms

 

Down in the shadow of the penitentiary

Out by the gas fires of the refinery

I'm ten years down the road

Nowhere to run, ain't got nowhere to go

 

That's the Six nightmare right there: nowhere to run, and nowhere to go. No guidance from society, none from the government. No job. No support from the Veterans' Association. All that's left is a desperate cry that he was born in the USA, and that's supposed to mean something. It used to mean something. It's something I believed in. And now, who can I trust? What am I supposed to do?

 

Sixes may not know what to do for themselves, but they'll stand up immediately for someone or something they believe in. This is especially the case if that someone or something seems to be on the receiving end of oppression from a cruel and overbearing authority, hence the noted Six attraction to underdog causes. The Indigo Girls have held benefit concerts for the environment, LGBT rights, First Nations rights, women's rights, human rights, and the abolition of the death penalty. Bruce Springsteen has campaigned and spoken out for the candidacies of John Kerry and Barack Obama, making speeches during concerts, despite the boos he'd earn from some of his audience. He's made financial contributions to unions in the US and Europe. He's written about his backing of gay rights and marriage equality on his website. He announces his support of local food banks in his concerts, and matches the total collected from that evening's audience with his own money.

 

The ruling passion of Sixes is fear, better expressed as anxiety. Sixes relentlessly play out worst-case scenarios in their minds, which can stop them from doing anything at all, including something they know would improve their lives. But paralyzing doubt can be overcome. Healthy Sixes, according to (authorities) Riso and Hudson, let go of the belief that guidance only comes from outside sources, and find the inner knowing that's been there all along. Grounded, serene and valiant, they know what's needed in a given situation, and what's needed overall. They might hear protesting, anxious cries from within, forecasting disaster, but trusting their sense of right-action, they go ahead anyway, like Steinbeck's Tom Joad, whom Springsteen quotes in another Sixish song

 

"Mom, wherever there's a cop beatin' a guy
Wherever a hungry newborn baby cries
Where there's a fight 'gainst the blood and hatred in the air
Look for me Mom I'll be there
Wherever there's somebody fightin' for a place to stand
Or decent job or a helpin' hand
Wherever somebody's strugglin' to be free
Look in their eyes Mom you'll see me."

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9 comments

  • Comment Link Amy Jean Cousins Sunday, 26 February 2012 08:21 posted by Amy Jean Cousins

    Thanks for tossing in some "evolved" 6 qualities there at the end ;)

  • Comment Link TJ Dawe Monday, 27 February 2012 22:41 posted by TJ Dawe

    I like to end each of these brief Enneagram type sketches with a picture of that type as they appear evolved and redeemed. It's an important aspect of the Enneagram that there are no inherently good or bad types, even though different cultures encourage some qualities in people and discourage others. Regardless, everyone has the right to be the type they are, and every type has valuable contributions to make.

    Sixes are often vexed at being Sixes, feeling ashamed of having fear as a ruling passion. As Richard Rohr describes, Sixes need an authority to confirm their impulses, and then hate themselves for needing it. Sixes will also often forget their own successes almost as soon as they happen - their minds will continue to second guess their right actions and forecast a dozen ways doom might strike tomorrow.

    But like every other type, Sixes are an important and irreplaceable part of the human picture. And a Six that has embraced being a Six, that recognizes their reactivity and anxiety, and moves past it anyway, is a marvel, and a benefit to us all.

  • Comment Link Amy Jean Cousins Tuesday, 28 February 2012 05:13 posted by Amy Jean Cousins

    Well thanks, I'm doing my best:)

  • Comment Link Eleanor Tuesday, 06 March 2012 00:10 posted by Eleanor

    I can't believe I missed a post from TJ about Bruce Springsteen. That's like red wine and chocolate. Or...pot and Ted Talks! Thanks for the post TJ. SUCH a good reminder that the anxiety is always going to be there, you just can't let it rule you. Man, is that so timely right now! (Ok, pretty much always).

  • Comment Link TJ Dawe Tuesday, 06 March 2012 01:28 posted by TJ Dawe

    Eleanor - if you know of any other Springsteen songs that fit this theme, please post a link or two.

    And yes, Springsteen serves as a pretty solid emblem of a Six moving past anxiety and doing what's right, despite whatever fear and anxiety tries to stop you. NPR Fresh Air played an interview with him (conducted by Edward Norton), in which he referred to his motivation for making Darkness at the Edge of Town being fear. http://www.npr.org/2010/11/12/131272103/ed-norton-interviews-bruce-springsteen-on-darkness

    here's a great Sixish quote from that interview:

    On Where The Tracks On Darkness Originated

    "My desire to not get disconnected from my parents and their history and a lot of the people I cared about; I said, 'These things aren't being written about that much. I'm not sure. And those were the topics I decided to take on for that particular record, not so much out of any social consciousness, but as a way of survival of my own inner life and soul."

  • Comment Link Andrew Wade Saturday, 10 March 2012 07:16 posted by Andrew Wade

    How timely! Saw this right after writing a blog post of my own about overcoming fear. Especially this line: "Sixes relentlessly play out worst-case scenarios in their minds, which can stop them from doing anything at all, including something they know would improve their lives."

    Makes me think I might have been a six, back in elementary school.
    http://adewade.wordpress.com/2012/03/09/why-i-trust-strangers-and-hope-you-do-too/

  • Comment Link TJ Dawe Monday, 12 March 2012 21:42 posted by TJ Dawe

    Your post really does sound like the inner landscape of a Six - especially in the fact that you'd envision scenarios of being attacked when there were no attacks imminent. No one's threatening, no one around you is getting beaten up, but your mind can't not go there.

    Love to hear more about consciously choosing to trust people. Has this been consistent since you made that choice?

  • Comment Link Eleanor O'Brien Tuesday, 13 March 2012 18:50 posted by Eleanor O'Brien

    Hey TJ - truly, I could get sucked into such a rabbit hole of finding the perfect Springsteen quote, but I promised Eric I'd go to the DMV for him. So I'll give you this one from my favorite Springsteen song "the Wish" -
    "Well if Pa's eyes were windows, into a world so deadly and true,
    you couldn't stop me from lookin', but you kept me from crawlin' through"
    I love the idea that he knows he could be enveloped by fear, by darkness - but he chooses (with the help of his mother) to follow a different path.
    The reason I make the kind of theater I do is because it scares the hell out of me. Someone asked me recently if it gets easier - and I looked at them like they were crazy. Taking my clothes off and masturbating in from of a stranger (a key plot point of my solo show)never gets easier to do in front of an audience. And yet I feel like inviting judgement is the only way to get through the fear of judgement. Like allowing yourself to be stung by bees to create immunity. The result? Revealing your vulnerability in front of strangers almost always has the opposite effect - I am not met with judgement but with acceptance and applause. (Of course, I can come up with a million stories about what people are thinking and not saying - being a 6 I suppose- but I chose not to let those imaginary stories stop me). Most of the time. As always, thanks for sharing your brain.

  • Comment Link TJ Dawe Friday, 16 March 2012 23:19 posted by TJ Dawe

    Eleanor - thanks for this. those are great Six lyrics from Springsteen indeed, and fit in with your descriptions of why you do the theatre you do.

    Fear can certainly keep us shaking in the corner, but so often the things we've imagined, the things we've projected, turn into smoke when we turn to face them, as you've experienced.

    One of my favourite moments in film is the climax of Secrets and Lies, when Timothy Spall's character overcomes fifteen or however many years of silence and speaks aloud the fact that his wife is infertile, and that she's always hated his sister because she'd had an illegitimate child. And then he says "where's the bolt of lightning?" The big bad boogeyman turned out to have no power after all, only a bluff, as so many of our fears do.

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